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Filippo Maria Bressan, aside from being a perfect musician, is a wonderful conductor too: he caresses the air with his hands, as if he feared to disturb the enchantments coming out from his musicians. Transparence, as a moral criterion, lifts up Bressan's reading.
(Stefano Ragni - LA NAZIONE - Stravinsky Symphony of Psalms, Brahms Symphony n.1)
Sophisticated conductor, has a technical confidence and a true depth that manage to marshall the orchestra; in his conduction there is the right relationship with the stage, the capability of seconding the voices, and the balance of the timing, in order to draw the great musical architectures, the dramatic tension of both the colors and the phrasing, the proper definition of any atmosphere.
(Arrigo Quattrocchi - IL MANIFESTO - Semiramide, Rossini)
A fluid and precise performance at one time, magnified by the gesture of the conductor Filippo Maria Bressan. Lucidity, precision, monitored force, charisma of rare workmanship : these are the traits of this kind of "Magus Musicae", which all have responded with attention and convinced participation. Long, hearty and touched applause.
(Marco Maria Tosolini - IL GAZZETTINO - Johannes Passion, Bach)
Repertoire
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Choir Passion
Not a curriculum vitae, but the synthesis of a passion...
Leaving out the how, when, why ... here it is a constant reminder to the voice and the singing that starts from when I was a child. Where there was singing, I was there. In my family singing was a constant, my mother had a beautiful voice and my father conducted a church choir. Singing was a way to get together and cheer the evenings, the walks, the feasts and after dinner.
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